Cardi B leads the 2026 BET Awards nominations, securing six noms including Album of the Year and Best Female Hip Hop Artist. The nominations, announced Tuesday, position the “I Like It” artist ahead of a highly competitive field of musicians and actors set to be honored at next month’s ceremony. The 2026 BET Awards will air live from the Peacock Theater in Los Angeles on June 28. Following closely behind Cardi B are Kendrick Lamar and Mariah the Scientist, who both earned five nominations each after dominant years on the charts and the awards circuit. The recognition for Cardi B follows a record-breaking performance at the NAACP Image Awards earlier this spring. During that ceremony, she became the first female rapper since Lauryn Hill in 1999 to win Outstanding Female Artist and Outstanding Album. Her latest BET nod for Album of the Year honors her recent release, “Am I The Drama?” and she is also recognized in the Best Collaboration category for the “Errtime Remix” featuring Jeezy and Latto. Lamar, who recently took home five Grammy Awards, continues his momentum with nominations for Video of the Year for “Luther” and Best Male Hip Hop Artist. Other major music nominees include Doja Cat, SZA, and Metro Boomin, while the duo Clipse also secured four nods. View this post on Instagram

Saweetie is facing a massive legal battle after a concert promoter filed a lawsuit seeking $3 million in damages over a series of canceled shows in Japan. The legal action, filed by Moon Dream Production, accuses the rapper and her company, Icy Grl Touring, of fraud and breach of contract. According to court documents, the dispute stems from a deal struck for four performances scheduled to take place across Japan between July 18 and July 26, 2025. The promoter alleges that Saweetie agreed to a $200,000 fee for the tour and received an upfront deposit of $100,000. However, the “Hella Pressure” artist reportedly failed to appear for any of the contracted dates. The lawsuit takes a sharper turn with allegations that Saweetie used the very resources provided by Moon Dream Production to perform for other organizers. The company claims it facilitated and funded visa services for the rapper and her entire team to enter the country. Once in Japan, the promoter alleges Saweetie skipped their scheduled events to perform at different venues for rival promoters during the exact dates she had already committed to. Moon Dream Production argues that the financial fallout extends far beyond the missing deposit. In addition to the $100,000 initial payment, the company claims it lost $100,000 on promotional marketing campaigns and another $200,000 to secure and hold the venues for the canceled shows. The $3 million figure sought in the lawsuit reportedly accounts for these direct losses as well as significant damage to the promoter’s professional reputation. “The issue went beyond just scheduling issues,” the lawsuit reportedly reads, noting that the promoter’s efforts to recover the $100,000 deposit have been unsuccessful. The plaintiff argues that the rapper’s actions constitute intentional fraud rather than a simple logistical failure. Saweetie, whose real name is Diamonté Quiava Valentin Harper, has not yet issued a formal public statement regarding the litigation. The Bay Area native has recently remained active in the music scene following the release of her EP last summer, but this legal development marks a significant hurdle for her international touring brand. Legal experts say cases involving international tour cancellations often hinge on the specific language regarding “exclusivity clauses” and “force majeure” events. If the allegations held in the complaint are proven true, the use of promoter-funded visas to work for competitors could provide strong evidence for the fraud claims.

Latto appears to have confirmed the birth of her first child. The “Big Energy” artist took to social media Tuesday to share an emotional video montage that documents her pregnancy journey, featuring intimate reactions from her inner circle and a brief appearance by fellow rapper 21 Savage. The heartwarming footage serves as a rare glimpse into the rapper’s personal affairs, as she has historically kept her romantic relationships out of the public eye. The compilation video shows various friends and family members reacting with joy and surprise to the news of her pregnancy, culminating in scenes that suggest the child has already arrived. Fans quickly noted a clip of 21 Savage attending a baby shower, seemingly solidifying long-standing rumors about the pair’s relationship. The timing of the announcement aligns with the rollout for her latest music, as the rapper captioned the post with “BIG MAMA 5/29.” While the date likely points toward a new musical release or project, the inclusion of the pregnancy footage suggests a significant life transition is at the forefront of her new era. The rapper cheekily referenced her “Big Mama” moniker, which has recently evolved in the eyes of her 14 million Instagram followers from a simple nickname to a literal description of her new role as a new mother. Though official details regarding the baby’s name or exact birth date have not been released, the video provides the most concrete evidence to date that the rapper has successfully navigated a private pregnancy. For now, the rapper seems content celebrating her new family while preparing for the next chapter of her professional career. View this post on Instagram

Claressa Shields has been indefinitely banned from all Most Valuable Promotions (MVP) events following a physical altercation with fellow boxing star Alycia Baumgardner. The incident occurred over the weekend at the MVP MMA 1 card, which featured a high-profile headlining bout between combat sports icons Ronda Rousey and Gina Carano. The promotional company, co-founded by Jake Paul, issued a formal statement on social media Tuesday morning declaring that Shields is no longer welcome to attend their future shows. “Effective immediately..” According to the promotion, the confrontation took place within a private VIP area of the venue, where both athletes were attending the mixed martial arts event as guests. “Effective immediately, Claressa Shields is banned from all MVP events until further notice,” the statement from MVP read. “There is a time and a place for fighter tension and banter, but to physically attack a fellow athlete while there as a guest inside a private VIP area is unacceptable.” The conflict reportedly escalated after years of established social media tension between the two fighters. Witnesses and reports indicate that Shields and Baumgardner exchanged heated words before Shields allegedly slapped Baumgardner’s hand. The promotion praised venue security for a swift de-escalation and commended Baumgardner for not retaliating during the scuffle. Shields later addressed the incident, suggesting that her actions were a response to provocation. She indicated that Baumgardner’s aggressive disposition and verbal barbs led to the physical contact. However, Baumgardner has denied these claims, asserting that the escalation was unprovoked and that she intends to pursue a professional and legal resolution to the matter. The ban represents a significant rift between the promotional powerhouse and Shields, who is widely considered the greatest female boxer of the modern era. Shields, who has also competed in professional MMA, has frequently traded barbs with MVP associates and fighters across social media platforms over various business and personal disputes. Baumgardner, the undisputed super featherweight champion, remains in good standing with the promotion. Representatives for MVP emphasized that maintain a safe environment for their athletes and guests is their top priority, regardless of any ongoing rivalries between professional competitors. “MVP would like to thank venue security for their swift response in addressing and de-escalating the situation and appreciate Alycia Baumgardner not retaliating and further amplifying the situation,” the promotion said in its official announcement. Neither athlete has confirmed if they intend to settle their grievances inside a boxing ring in the future. View this post on Instagram

Jeannie Mai revealed to fans this week that she is considering plastic surgery, opening up about the internal conflict of aging while remaining a proponent of self-love. The former co-host of “The Real,” who turned 47 in January, shared her journey in a recent vlog, documenting her search for cosmetic enhancements after noticing physical changes that do not align with her youthful spirit. Mai explained that she recently traveled to Korea to attend two surgical consultations, marking a significant shift in her personal philosophy regarding cosmetic procedures. “I can’t believe I’m actually at this place where I’m considering plastic surgery,” Mai said in the video. She noted that while she does not yet feel “old” on the inside, she began noticing her face changing in ways that prompted her to investigate her options. The television star and mother to 4-year-old Monaco Jenkins, whom she shares with ex-husband and rapper Jeezy, was candid about the pressures of being in the public eye. She admitted that people often compare her current appearance to younger versions of herself seen on long-running television programs, which can be difficult to internalize. Mai was quick to clarify that her interest in surgery is not rooted in a desire to “chase perfection” or simply look younger for the sake of vanity. Instead, she described the potential procedures as a way to bridge the gap between her physical appearance and her internal energy. “It’s more of wanting to look as alive on the outside as I still feel on the inside,” Mai said during the vlog. She challenged the notion that wanting to alter one’s appearance is a sign of low self-esteem, asking her followers, “Can you love yourself deeply and still want to tweak something? I think the answer is yes.” The revelation comes as Mai continues to navigate life as a single mother following her highly publicized divorce from Jeezy two years ago. She has remained active on social media and in the lifestyle space, recently making headlines for her dating life after being linked to musician Anderson .Paak. Mai has frequently used her platform to discuss the complexities of womanhood, dating in her 40s, and the emotional recovery process following the end of a long-term relationship.

Rich Paul, the CEO of Klutch Sports, is calling for an end to the brewing feud between NBA superstar LeBron James and rap icon Drake. Paul expressed his desire for the two stars to find common ground during a Friday appearance on the Game Over podcast with host Max Kellerman, marking the first major response from James’ inner circle regarding the rift. The tension between the long-time friends reached a boiling point with the release of Drake’s new album, “ICEMAN,” which features pointed verses aimed at the Los Angeles Lakers forward. Drake seemingly viewed the basketball star’s lack of public defense as a personal betrayal. “At the end of the day, I think it’s important for adults to really reconcile down the road and stay out of that,” Paul said during the podcast. “For me, it’s just about allowing time to pass and hopefully, people can reconcile their differences. I do think, in any situation, it’s important to remove the middle man.” The lyrical shots on “ICEMAN” were unusually direct for the two stars, who have shared a public friendship for over a decade. “Make them remember” In the track “Make Them Remember,” Drake references James’ jersey number and history of free-agency moves, rapping, “I shouldn’t even be shocked to see you in that arena / Because you always made your career off of switching teams up.” He further distanced himself by rapping that James is not a “real” person and claiming that integrity is in his own DNA. Paul, who has represented James since the beginning of his professional career, emphasized that external commentary often makes celebrity disputes worse. He noted that “agendas” and “opinions” from outside parties can stir up further conflict, making a private resolution more difficult. Despite the current animosity, Paul offered high praise for Drake’s career longevity and impact on the industry. He described the Toronto native as “the best music artist for the last 15 years,” suggesting that his respect for the rapper’s talent remains intact despite the personal friction involving his star client. James has not issued a formal statement regarding the lyrics on “ICEMAN,” which was released alongside two other surprise LPs, “MAID OF HONOUR” and “HABIBTI.”

The sneaker world is turning its attention back to an early-2000s staple after Tony Yayo confirmed that the G-Unit x Reebok collaboration tied to 50 Cent is set to return this summer. The revival brings the G6 silhouette back into circulation. This model was first released in 2003 during a period when hip-hop’s influence on footwear was becoming impossible for brands to ignore. At the time, 50 Cent’s partnership with Reebok was more than a cultural moment; it was a commercial one. According to Footwear News, the artist moved more than $3.8 million in sneakers during that era. This figure stood out in a still-developing space where rap collaborations with major sportswear brands were relatively new. That same year, Jay-Z introduced his S. Carter line with Reebok, which went on to become the brand’s fastest-selling sneaker. Still, the G-Unit G6 developed its own audience and carved out a parallel lane. That lane was defined less by direct competition and more by how different artists shaped sneaker culture in distinct ways. Together, those releases helped set a template for future music-driven footwear deals. G-Unit Returns as Y2K Nostalgia Reshapes Fashion Now, the timing of the G-Unit return aligns closely with where fashion is headed. Early-2000s references have re-entered the mainstream, from oversized denim to retro athletic wear. This has created space for older designs to feel current again rather than archival. That shift has even reached beyond hip-hop circles. Actor Timothée Chalamet wore G-Unit x Reebok boots during a promotional tour for Marty Supreme in December. This detail drew attention from both fashion observers and entertainment coverage. His appearance reflected how far the aesthetic has traveled since its original release. With nostalgia cycles continuing to shape retail and design decisions, the G-Unit comeback arrives less as a surprise and more as part of a broader pattern. Familiar silhouettes are returning at a moment when audiences are already primed to see them in a new context.

OVO’s orbit continues to function as both a creative hub and a public-facing chorus around Drake’s recent run of releases. Label president Mr. Morgan occasionally surfaces online to hint at what may come next. Alongside him, longtime associate Baka Not Nice has remained a visible presence within that circle. He is a figure tied closely to Drake for years and, at times, drawn into wider cultural disputes that extend beyond music. Baka’s name briefly re-entered the conversation this week as attention around Drake’s ICEMAN project spilled into another familiar conflict: Rick Ross. On the album, Drake takes a pointed line at Ross, rapping that he “aided Ross with streams before Adin Ross had ever streamed.” The lyric quickly circulated across social platforms. There, it prompted a response from Ross, who dismissed the project and criticized Drake’s recent output. Shortly after, Baka Not Nice addressed Ross directly through a series of Instagram Story posts. These were later highlighted by the account Kurrco on X. In one post he wrote: “Ross a B***h And he know IT [target hit emoji] [pig nose emoji].” In another, he added, “Officer Rick, not Ricky,” referencing Ross’s former work as a correctional officer before entering the music industry. OVO’s Baka calls Rick Ross a “b*tch” via IG “Ross a B*tch And he know IT ” pic.twitter.com/wkzdGZm4KN — Kurrco (@Kurrco) May 17, 2026 Ross and Drake Rift Remains Unresolved The exchange adds another chapter to a relationship that has shifted repeatedly over time. Ross’s and Drake’s tension has been traced to disagreements during the broader Kendrick Lamar-related feud. There have also been public comments involving collaborations and industry loyalty. At different points, Ross has accused Drake of intervening in guest appearances. In return, Drake has questioned Ross’s credibility and consistency as an artist. There have also been moments where Ross appeared open to easing tensions, though those overtures have not held. In recent weeks, responses from within Drake’s wider circle have tended to escalate rather than soften the discussion. This suggests little movement toward resolution. Even so, the situation remains fluid. Past collaborations and overlapping professional ties have occasionally cooled similar disputes, including moments involving artists connected through shared projects on ICEMAN. Whether that pattern repeats here remains uncertain. For now, however, the distance between Ross’s and Drake’s camps appears unchanged. Meanwhile, social media continues to serve as the main venue for the exchange.

Mýa stopped by HOT 97 to talk to Nessa about her upcoming album “Retrospect,” out May 15, and how the project was inspired by joy, nostalgia, live instrumentation, and the music she grew up around. She opened up about staying independent throughout her career, why she connected with artists like Too Short, Snoop Dogg, Joyner Lucas, and 21 Savage for the album, and how some of those collaborations unexpectedly started in the DMs. Mýa also reflected on the pressure of perfection early in her career, how social media changed the way artists connect with fans, and why she feels more confident and expressive now than ever before. Mýa also shared viral moments from her career, including getting a last-minute call to perform on Brandy and Monica’s tour with almost no prep, the advice Prince gave her after personally calling her over to meet him, and what it was like working alongside legends like Michael Jackson, Luther Vandross, and Whitney Houston. She also revealed the music video she would redo today, the song she wishes got more love from fans, the hardest songs for her to perform live, and the wellness changes that completely transformed her lifestyle and mindset. Plus, she breaks down her “clatchet” personality, talks about giving up sugar and alcohol, and explains why peace and balance mean more to her now than charts and awards. Stream her new single “Just A Little Bit” featuring Too Short out now and get her new album “Retrospect” on May 15.

Drake’s recent burst of releases has already shifted the pace of conversation around his catalog. Three albums have arrived in close succession, and there is little sign, at least publicly, of a pause. Still, industry watchers and fans alike have begun looking ahead. This is prompted in part by a social media post from OVO Sound president Mr. Morgan that hinted at what might come next. Morgan used Instagram to acknowledge the scale of Drake’s latest rollout and pointed to strong early performance across ICEMAN, HABIBTI, and MAID OF HONOUR. The albums have remained in constant rotation online since release, driving streaming discussion and chart forecasts. In his caption, Morgan wrote, “Summers ours, winter too,” a line that quickly took on a life of its own across fan accounts and music commentary pages. The brief message has been read in different ways. Some listeners saw it as little more than a reflection of Drake’s sustained commercial presence across seasons. Others read it as a possible hint that new material could arrive later in the year. The post offered no further detail, and neither Drake nor representatives from OVO have expanded on its meaning. View this post on Instagram Drake’s Legal Battle and Album Run Fuel Fresh Label Speculation The timing of the speculation has added another layer of interest. Drake is currently involved in an ongoing legal appeal tied to his dismissed defamation lawsuit against Universal Music Group. That case stemmed from the release of Kendrick Lamar’s “Not Like Us.” As a result, the case has kept attention fixed on his relationship with the label even as the music cycle continues to move forward. At the same time, some observers have linked the rapid release of three albums to broader contract questions. They suggest the trilogy could reflect a transitional moment in his deal with UMG. Others view the pace simply as an extension of a particularly active creative period rather than anything contractual. For now, no additional project has been confirmed. Still, with the current trilogy already performing strongly across platforms, even a single line from an executive has been enough to set off another round of speculation about what Drake might do next.