Key Glock is preparing to expand his role in hip-hop this summer with the launch of a new record label. This move is deeply connected to the legacy of his late cousin and mentor, Young Dolph. For Glock, now 28, the venture appears less about industry status and more about continuing a model of mentorship. This mentorship helped shape his own rise in Memphis rap. As his career grows beyond mixtapes and touring, he has increasingly spoken about creating opportunities for younger artists coming up behind him. That vision became clearer as he discussed his first signee, Memphis rapper Zo Trapalot, during a recent interview with Esquire. “He reminded me of me,” Glock said. “He listens. We’ve got a budding relationship outside of music, so I’m just taking him under my wing, just like Dolph did with me. He’s like the little brother I never had.” Rather than framing the label as a quick business expansion, Glock described it as something rooted in trust, guidance, and shared experience. Key Glock Builds on Young Dolph’s Legacy The project naturally carries the weight of Paper Route Empire, the independent label Young Dolph built into one of Memphis rap’s defining platforms. Dolph signed Glock in 2017, introducing him to a wider audience. Dolph also helped him develop into one of the city’s most commercially successful artists. That history remains inseparable from Dolph’s death in November 2021, when he was fatally shot outside a cookie shop in South Memphis. The killing led to a lengthy legal case that resulted in multiple convictions tied to the shooting. Away from the label rollout, Glock’s profile has continued to grow across music and fashion. He recently appeared alongside Megan Thee Stallion in True Religion’s “Make It True” campaign. He has also been recording material connected to his upcoming album Project X. Still, the label launch may ultimately stand as the clearest reflection of where Glock sees his career heading. He imagines not only a solo artist but also as someone attempting to build a lasting infrastructure for the next generation of Memphis talent.

Dame Dash has never seemed particularly interested in softening his opinions for public consumption, and that instinct was evident once again during his recent appearance on Jason Lee’s podcast. Over the years, Dash has remained one of rap’s most outspoken former executives, often revisiting old business relationships and industry disputes with the same intensity that defined his Roc-A-Fella era. The nearly two-hour conversation drifted between music history, personal frustrations, and long-running tensions that still follow many of hip-hop’s biggest names from that period. Early in the interview, Dash focused his attention on N.O.R.E. and his relationship with Jay-Z. According to Dash, Jay-Z never viewed N.O.R.E. as someone he wanted tied closely to Roc-A-Fella, despite the rapper’s eventual association with the label’s orbit. Dash argued that he was the person who pushed for those opportunities behind the scenes, then questioned why N.O.R.E. continues to publicly praise Jay-Z while never landing the kind of sit-down interview many fans still expect. Tensions Flare as Dame Dash and Jason Lee Trade Sharp Words As the discussion continued, the tone became noticeably sharper. Lee repeatedly pressed Dash for clearer answers on several topics, while Dash appeared to grow irritated with the direction of the conversation. At moments, the interview resembled less of a promotional stop and more of a tense back-and-forth between two personalities unwilling to fully yield ground. Even so, the exchange never completely lost its conversational rhythm. Lee occasionally tried to ease the mood with humor before moving the discussion forward again, while Dash continued speaking with the bluntness that has long made him a compelling, if polarizing, figure in rap culture. Long after Roc-A-Fella’s peak years, Dash still draws attention whenever he revisits old alliances, fractured friendships and the internal politics that helped shape one of hip-hop’s most influential eras.

Yung Miami and Bossman DLow, two of today’s hottest hip-hop stars, are hitting the road this summer on the Motion Party Tour. The 25-city tour launches July 16 in St. Petersburg, Florida, before wrapping August 29 in Orlando. Key stops include Atlanta, New York City, Los Angeles, Houston, Washington, D.C., and Miami. Presale tickets open May 28 at 10 a.m. local time. General sales follow May 29 at 10 a.m. View this post on Instagram The tour announcement lands in the middle of a breakout moment for “Spend Dat,” which continues to elevate Yung Miami’s solo profile. The track currently sits at No. 2 on Shazam U.S. Rap and No. 3 overall. Streaming activity has doubled over two consecutive weeks, reflecting sustained demand across platforms. “Spend Dat” also marks a career milestone. It stands as her highest-charting lead single on Apple Music. The record reached 45,000 weekly consumption units and delivered 1.2 million streams in a single day on May 23, the strongest streaming day of her solo career. The visual impact has followed the same trajectory. The music video has surpassed 2 million YouTube views, becoming her first solo video to reach that level. Yung Miami & BossMan DLow Hit The Road On The “Motion Party Tour” Online engagement continues to expand. The track sits inside Instagram’s Top 25 trending songs and has driven more than 278,000 TikTok creations. Radio support has also grown, with “Spend Dat” climbing to No. 30 at Urban radio and ranking among the week’s top gainers. Yung Miami has also expanded her visibility beyond music. She recently hosted a screening for Boots Riley’s I Love Boosters, where Keke Palmer highlighted “Spend Dat” as a standout cultural moment tied to the project. Earlier this month, she supported South Florida communities through giveaways that included free gas and shopping assistance for families. The Motion Party Tour builds on that momentum, bringing her recent success directly to fans across the country. The run arrives as anticipation builds for her upcoming solo debut album. Her catalog already includes viral singles like “Rap Freaks” and “CFWM” featuring Skilla Baby, with more than 170 million solo streams. Outside music, her podcast Caresha Please has surpassed 45 million YouTube views and earned BET Hip Hop Award recognition.

John McClain, the veteran music executive who spent nearly two decades managing the sprawling financial and creative legacy of Michael Jackson, died Tuesday in Malibu. He was 71. A representative for the estate confirmed McClain’s passing, though a specific cause of death was not immediately released. Since 2009, McClain had served as the co-executor of the Jackson estate alongside attorney John Branca. Together, the pair navigated the complex legal and commercial landscape following the King of Pop’s unexpected death, transforming a heavily indebted estate into a billion-dollar enterprise. McClain’s influence on the Jackson brand was significant, as he helped spearhead a variety of posthumous projects that kept the singer’s work in the global spotlight. His credits include work on the 2009 documentary film “This Is It,” the Cirque du Soleil production “Michael Jackson ONE,” and “THE IMMORTAL World Tour.” He also played a vital role in curating the “Michael Jackson: On the Wall” exhibition, which premiered at London’s National Portrait Gallery before touring globally. Beyond administrative duties, McClain was a seasoned record producer who understood Jackson’s sonic preferences. He was instrumental in the production of posthumous musical releases, including the hit single “Love Never Felt So Good” and the ballad “Much Too Soon.” His deep roots in the music industry allowed him to maintain a level of artistic integrity that fans and family members often scrutinized. Before his tenure with the Jackson estate, McClain was a formidable force at A&M Records and Interscope. He is widely credited with helping develop the careers of numerous superstars. Most notably, he oversaw the production of Janet Jackson’s legendary “Control” album in 1986, a project that redefined her career and the sound of modern R&B. McClain also worked closely with hip-hop icons such as Dr. Dre and Ice Cube and was a key figure in the signing of Marky Mark & The Funky Bunch. Industry peers remember McClain as a “behind-the-scenes” power player who avoided the limelight while exerting massive influence on contemporary culture. His partnership with Branca was often viewed as a balance between legal strategy and artistic vision. In a statement following the news, the estate’s management reflected on his dedication to preserving Jackson’s artistic standard for future generations. The future management of the Jackson estate remains a topic of interest for the music industry, as the estate continues to handle ongoing litigation and brand partnerships. McClain is survived by his family and a legacy that spans several of the most influential decades in American music history. Services and memorial details have not yet been announced.

GloRilla may have delivered the biggest surprise of the American Music Awards red carpet after hinting at a collaboration with a member of Destiny’s Child during a conversation about her upcoming album. Speaking with reporters ahead of the ceremony, the Memphis rapper teased a new project designed to soundtrack what she called the “litest summer.” Although she kept the album title private, GloRilla made it clear that new music is arriving soon. glorilla claims she has “one of the dc members” on her new album pic.twitter.com/l6RoWxpl0n — 𝗱𝗮𝗻𝗻𝘆 (@beyoncegarden) May 25, 2026 The conversation shifted once interviewers asked about potential guest appearances. That is when the rapper casually revealed that “one of the DC members” appears on the project, immediately sending social media into overdrive. Within minutes, fans across X and Instagram began debating whether the mystery feature belongs to Beyoncé, Kelly Rowland or Michelle Williams. None of the singers have publicly addressed the speculation. GloRilla Teases Destiny’s Child Feature On Upcoming Album At American Music Awards For many fans, Beyoncé quickly became the leading theory. The Houston icon rarely appears on rap albums without major anticipation. Even the possibility of a collaboration sparked immediate excitement online. The teaser marks another milestone in GloRilla’s rapid rise through hip-hop. Since breaking through with viral records and commanding festival performances. The rapper has developed into one of rap’s most visible young stars. Her gritty Memphis delivery and outspoken personality continue resonating with audiences across generations. The possible Destiny’s Child connection also signals how far her industry reach has expanded. Landing any collaboration tied to the legendary R&B trio would represent a defining career moment for the rapper. Online reactions exploded as clips from the interview spread across social platforms. Fans praised GloRilla for revealing just enough information to fuel conversation without exposing too many details about the project. While no official release date exists yet, GloRilla left little doubt about her ambitions. Her next album appears aimed directly at the summer conversation, and possibly at one of music’s most iconic legacies.

Harlem rap legend Cam’ron has moved toward resolving his legal dispute with J. Cole over the 2024 collaboration “Ready ’24,” according to recent court developments. Reports indicate attorneys for both artists informed the court they reached “an agreement in principle” and are now finalizing settlement paperwork tied to the lawsuit. Financial terms connected to the proposed resolution remain undisclosed. @Mr_Camron v. @JColeNC: CASE DISMISSED. After Cam’ron shared plans to drop the lawsuit over ‘Might Delete Later’ track “Ready ‘24” collaboration against J. Cole during their viral interview in March, the lawsuit has officially been dismissed in @SDNYnews following filed order… pic.twitter.com/jhuzyigZeZ — Bryson “Boom” Paul (@brysonboompaul) May 27, 2026 The dispute began after Cam’ron alleged he never received compensation for appearing on “Ready ’24,” a track released during J. Cole’s 2024 album cycle. The case later became public conversation material when Cole appeared earlier this year on Cam’ron’s “Talk With Flee” podcast. During the interview, Cole addressed the disagreement directly. “I tried to pay him,” Cole explained while discussing the collaboration and the stalled negotiations surrounding the feature. Cam’ron offered a different perspective during the same conversation. According to the Harlem rapper, he originally agreed to contribute to the song without upfront payment because he wanted Cole to appear on his podcast instead. When the interview did not happen initially, Cam’ron admitted the lawsuit became a way to regain communication. Cam’Ron & J. Cole Dismiss “Ready ’24” Lawsuit “I did it to get his attention,” Cam’ron said during the episode. The public discussion appeared to cool tensions between both artists. Rather than escalating the conflict, the interview framed the disagreement as a business misunderstanding involving expectations surrounding promotion, compensation and media appearances. The settlement development now positions the case closer to formal resolution after months of legal uncertainty. While the J. Cole dispute nears conclusion, Cam’ron recently found himself pulled back into another public conflict involving fellow Jim Jones. The former Dipset collaborators have exchanged criticism online following years of intermittent tension connected to business disagreements and their widely discussed 2021 Verzuz appearance against The LOX. Jones recently challenged Cam’ron to a one-on-one Verzuz matchup through Instagram. Cam’ron has not responded publicly. For now, however, attention remains fixed on the nearing settlement tied to “Ready ’24,” ending one of hip-hop’s more unusual recent courtroom disputes.

Grammy-winning R&B singer Jazmine Sullivan sent social media into a frenzy this week after debuting a dramatic physical transformation during a surprise appearance on stage. The “Pick Up Your Feelings” vocalist stunned concertgoers in her hometown when she walked out in a form-fitting black latex catsuit that showcased a significantly slimmer physique. Sullivan made the guest appearance at a sold-out stop of Ari Lennox’s “Vacancy Tour” at the Wells Fargo Center. The two powerhouse vocalists shared the stage, but it was Sullivan’s ensemble and new look that dominated post-concert conversations across Instagram and X, formerly Twitter. The singer later took to social media to share professional photos of the evening, confirming the appearance was a tribute to her friend and colleague. Sullivan praised Lennox in the caption of her post, which quickly garnered hundreds of thousands of likes and thousands of comments from fans and fellow celebrities alike. “Pulled up on my shea butter baby @arilennox at her sold out Vacancy Tour in Philly!” Sullivan said via her verified Instagram account. “You’re killing it baby. Here’s your flowers. Shout out my glam for getting me together!” Fans and followers were quick to point out the star’s health and wellness journey. While the singer has previously spoken about her lifestyle changes, this most recent public appearance marked what many described as her most notable transformation to date. The sheer black latex outfit paired with high-glam makeup emphasized her current silhouette, sparking a wave of supportive comments from her “Heaux Tales” era supporters.  Sullivan has long been celebrated for her vocal prowess, often referred to as “your favorite singer’s favorite singer” by industry peers. However, the online obsession with her recent appearance highlights the ongoing public interest in her personal evolution. Commenters praised not just her aesthetic change, but the confidence she displayed while performing alongside Lennox. The singer has previously documented her commitment to a plant-based diet, largely inspired by supporting her mother through a health battle. While she has not released a specific statement regarding her recent weight loss, the viral latex suit moment served as a powerful visual update for her millions of followers. Sullivan is expected to continue her run of live performances throughout the summer, including a high-profile set at the upcoming ESSENCE Festival of Culture. Fans are eagerly anticipating whether the singer will debut more high-fashion looks as she continues to promote her recent musical projects. For now, the “Jazmine Sullivan transformation” remains a trending topic as the R&B community celebrates her new chapter.

DeenTheGreat was arrested on Wednesday, May 27, in Miami-Dade County on a felony attempted robbery charge stemming from an alleged altercation involving a cellphone aboard a yacht, according to jail records and police reports. Deen The Great has been arrested in Miami. Records show he was arrested on a charge of robbery/strongarm/attempt, with bond still listed as “to be set.” pic.twitter.com/CkBUe2XIrP — Daily Loud (@DailyLoud) May 27, 2026 Shabazz, a social media streamer and influencer boxer, was booked into Turner Guilford Knight Correctional Center during the morning hours. Authorities listed the offense as robbery by sudden snatching or attempted strongarm robbery. Court records showed bond had not yet been set as of Wednesday afternoon. According to the police report, the investigation began after a woman identified as Destiny Aleman accused Shabazz of attempting to take her cellphone following a dispute in Miami. Aleman told officers the confrontation escalated after several men allegedly approached her despite warnings from Shabazz not to engage with them. Streamer DeenTheGreat Arrested In Miami-Dade County Investigators alleged Shabazz ordered Aleman off the yacht before grabbing her forearm and attempting to seize the device. The report stated the woman sustained a minor scratch during the encounter. Authorities said surveillance footage later became part of the investigation. According to police, the yacht owner voluntarily provided Ring camera video connected to the incident. Investigators claimed the footage showed Shabazz instructing another person to take the woman’s phone to prevent her from recording him. Officers further alleged the video captured physical contact between the parties while Aleman attempted to pull away and retain possession of the device. Police also stated the footage allegedly showed Aleman falling into a defensive position on the ground before escaping the confrontation. Shabazz gained prominence online through livestream broadcasts, influencer boxing events and viral internet disputes. Known professionally as DeenTheGreat, he built a large digital following through crossover fight promotions and creator collaborations. Hours before his arrest, Shabazz appeared on a livestream alongside Tekashi 6ix9ine. As of Wednesday evening, Miami-Dade authorities had not announced a court date or identified defense counsel. The case adds to a growing number of criminal matters involving high-profile internet personalities and influencer boxing figures.

Lil Wayne, The Best Rapper Alive, may already be loading the next chapter of the legendary Tha Carter series. During a recent appearance on Wake Up Barstool, the Cash Money Records icon hinted that Tha Carter VII could be closer than fans realize. “I got albums coming as well,” Wayne said. “But I don’t know when, if they going to just name it Tha Carter VII or they’re going to wait for another album and name it that. But I got music for days.” Lil Wayne says ‘THA CARTER VII’ might be coming soon “Tha Carter VII is coming soon. I’m not sure if we going to just name my next album Tha Carter VII, but I got albums coming as well. But I don’t know when, if they going to just name it Tha Carter VII or they’re going to… pic.twitter.com/Mj7fZacGdH — Kurrco (@Kurrco) May 26, 2026 The comments immediately shook hip-hop conversations online. Fans across social media began debating whether Wayne plans to continue the Carter saga next or release another project before returning to the historic franchise. For years, Tha Carter represented more than an album title in rap culture. The series helped redefine Southern hip-hop while cementing Wayne as one of the genre’s most influential lyricists. Albums like Tha Carter II and Tha Carter III transformed the New Orleans rapper into a global superstar and changed mixtape-era rap forever. Wayne’s influence still echoes throughout modern hip-hop. Many of today’s biggest artists credit him as a direct inspiration. His punchline-heavy flow, relentless recording habits and genre-bending creativity helped shape an entire generation. Rapper Lil Wayne Says ‘Tha Carter VII’ Could Be Ready Soon Still, reactions to Tha Carter VI proved more divided. Some listeners criticized the project online following its release, questioning the production, direction and song choices. Even so, Wayne’s latest comments make it clear he remains locked into recording mode. “I got music for days,” Wayne repeated, suggesting his unreleased catalog continues growing. The uncertainty surrounding the album title also fits Wayne’s unpredictable rollout history. Throughout his career, the rap veteran often teased projects long before official announcements arrived. That strategy became especially famous during the lengthy delays surrounding Tha Carter V. Now, speculation surrounding Tha Carter VII is building fast. Fans view every Carter release as a major hip-hop moment because of the franchise’s legacy and cultural weight. More than 25 years after entering the game, Wayne still commands attention whenever he speaks on new music. Whether the next project becomes Tha Carter VII or another release entirely, one thing remains clear: Lil Wayne is far from finished.

Hip-Hop mogul Ye is headed back to Tampa in a major way after overwhelming ticket demand pushed Raymond James Stadium to add a second concert date to his 2026 return. The stadium announced Tuesday that Ye will now perform on Sunday, June 28, in addition to his previously scheduled June 26 show. Presale access begins Wednesday, May 27, at 10 a.m., while general ticket sales launch Thursday morning through Ticketmaster. View this post on Instagram The added performance marks Ye’s first concert in Tampa in nearly 10 years. News of the second date spread quickly across social media, where fans debated possible surprise guests, production ideas, and which classics from Ye’s catalog could make the final setlist. The artist formerly known as Kanye West has kept a relatively limited touring schedule in recent years. That scarcity appears to be fueling demand. The Tampa performances follow Ye’s sold-out run earlier this year at SoFi Stadium, which marked one of his few large-scale U.S. appearances in 2026. Hip-Hop Mogul Ye (Kanye West) Adds A Second Date To Upcoming Tampa Concert On June 28 At Raymond James Stadium According to the venue, strong early ticket interest forced organizers to expand the weekend event with another stadium date. Ye’s official touring site, Yeezy Tour, also encouraged fans to preregister ahead of sales. “A few lucky pre-registrants will be selected to receive free tickets,” the site stated. The Florida return arrives during another controversial chapter in Ye’s career. Still, his ability to command attention inside music and pop culture remains unmatched. Fans throughout Florida and the Southeast flooded timelines moments after the second concert became official. For longtime supporters, the Tampa shows represent more than another concert announcement. They mark the return of one of hip-hop’s most influential and polarizing artists to a stadium stage. More than 20 years into his career, Ye continues driving headlines, online conversation and massive ticket demand whenever he steps back into the spotlight.