Garry George “Jellybean” Johnson, a founding member of the legendary funk band The Time, has passed away. He was 69. According to an official statement from his family, Johnson passed away unexpectedly on Saturday, Nov.21. “The family of Jellybean Johnson is deeply saddened by the passing of their beloved husband and father,” the family’s statement read. “Passing just shortly after his 69th birthday this past Wednesday, November 19, on the evening of Friday, November 21, 2025.  “Jellybean was an innovator of what became known across the world as the Minneapolis Sound. The only drummer the Time ever had from inception to the current day, the statement continued. “Jellybean loved his family, his friends and the city of Minneapolis.” View this post on Instagram Born in Chicago,  Johnson relocated to north Minneapolis with his mother at 19. To keep him out of trouble, she bought him a real drum kit. He honed his skills by listening to the radio.  “When I moved here, Black radio was only on for four hours from 1 to 5 in the afternoon,” Jellybean said. “That forced me to listen to a lot of white rock stations. That’s how I got into Three Dog Night and Black Sabbath and Red Earth and all those kinds of people and stuff, and that changed me too musically.” Johnson would eventually meet other teenage musicians such as Prince, Jimmy Jam, Terry Lewis, and Morris Day. “We had to be 14, 15,16 years old. Oh yeah, we started early, honey. Yes, we did,” said Johnson. His love of music kept him busy. “That kept us off the streets; we had a place where we could go and practice our craft,” said Johnson. Johnsons would go on to form The Time with Jam, Lewis, Monte Moir, Jesse Johnson, and Jerome Benton. They would go on to record several albums and classic songs, including  “Get It Up”, “The Bird”, “Cool”, “777-9311”, “Jungle Love” and “Jerk Out”. Outside of his work with The Time, Johnson produced Janet Jackson’s 1990 No. 1 single ‘Black Cat’. He also produced and served as a drummer for Patti LaBelle, Human League, New Edition, Cherrelle and Alexander O’Neal. Johnson performed with Rihanna at the 50th Grammy Awards and was the frontman of the Jellybean Johnson Experience. The group spotlighted emerging musicians from Minneapolis. Johnson also founded the Minneapolis Sound Museum in 2022. The vision was to “educate, celebrate and create, while also providing an environment to learn, gather and showcase artistry that preserves and fosters the Minneapolis Sound genre.”

After 11 years together, Real Housewives of Atlanta star Kandi Burruss and producer Todd Tucker have officially called it quits. The couple, who married in April 2014 and became one of Bravo’s most high-profile power pairs, confirmed their split following months of quiet speculation from fans. According to Burruss, the decision was not made lightly. In a statement, she says, “after deep thought and a lot of prayer, I’ve made the decision to move forward with a divorce. This is a difficult and emotional time, but my focus remains on protecting my peace, being the best mother I can be, and co-parenting with love and respect.” “I’m stepping into a new chapter pouring into my work, my family, and my own growth. I’m grateful to everyone who supported us throughout the years, and I ask for privacy, grace, and understanding as we navigate this transition with our family.” Burruss and Tucker first met in 2011 while filming RHOA, eventually blending their personal and professional lives through multiple business ventures, restaurant projects, and television productions. Over the years, their relationship became a recurring storyline on the show. The pair share two children — son Ace, born in 2016, and daughter Blaze, welcomed via surrogate in 2019. Both Burruss and Tucker have expressed commitment to co-parenting with mutual respect and stability. As Burruss moves forward, she says she’s focusing on peace, personal growth, and her evolving career, which includes ongoing entertainment ventures, Broadway work, and new production projects. Tucker has yet to speak out. View this post on Instagram

Ja Rule found himself in the spotlight today following reports of a physical confrontation on November 21. Almost immediately, 50 Cent took to social media to mock the situation, fueling discussions across Twitter and other platforms and stirring interest within the hip-hop community. The initial report came from Tasha K, who announced via social media that Ja Rule had allegedly been attacked outside Sei Less restaurant in New York. She tweeted, “BREAKING! I Just got word that Ja Rule was Jumped TONIGHT outside of New York Restaurant Sei Less! I’m being told it was pretty phucking bad! | Story Developing…” Her post prompted swift speculation online. Ja Rule quickly disputed much of her account while confirming that an incident did occur. He responded, “Tasha, why you lying to these good ppl? Yes, some btch as n****s tried to jump me. No it wasn’t at Sei Less, and I’m chilling, smoking a joint, watching SVP with not a scratch on me.” He also posted a video showing he was unharmed, contradicting claims of serious injury. View this post on Instagram Questions Around Max B 50 Cent weighed in with his signature provocation, tweeting, “Now who would do a thing like that? Just [boxing glove emoji] punched him all in his milk dud head. LOL.” His comments continue a long history of playful but pointed exchanges with Ja Rule. Nonetheless, the involvement of Max B also remains unclear. Available video from the scene is low-quality and offers no concrete details about identities or injuries. Max B addressed the rumors directly: “Don’t tie me or my people to anything negative. We grown; we on positive vibes only.” Despite online chatter linking him to Ja Rule’s confrontation, there is no verified evidence supporting any connection. For now, both sides appear intent on keeping their distance from the incident, letting the matter play out online.

At the storied Chateau Marmont, Malice and Pusha T reemerged before a crowd of artists, executives, and longtime admirers during the 2025 GQ Men of the Year gala. The evening carried a sense of occasion, marking not only their presence on a major stage but also the long-awaited return of the Thornton brothers as Clipse with their album Let God Sort Em Out. Momentum has been building around the duo, fueling talk of potential Grammy recognition and renewed interest in their legacy. Their comeback arrives after years of divergent paths—Pusha T releasing a steady run of solo music and Malice stepping back from the industry to pursue a spiritual shift. Now reunited, they appear determined to shape a new chapter together. During a recent conversation with Rolling Stone, Malice pushed back against the idea that their return would be brief. The question held weight, given the long gap since Til The Casket Drops and the uncertainty surrounding new work. But his response left no room for doubt. “Not a chance,” he said, his voice firm. “Listen, we just got here, man. There’s so much more to come.” While a timeline for their next release remains unannounced, a Zoom call from their Virginia Beach studio with writer Simon Vozick-Levinson hinted that fresh material is already in motion. With the acclaim surrounding Let God Sort Em Out still rising, fans have reason to expect more activity soon. Malice reiterates that fans won’t be waiting another 16 years for new Clipse music “No way. Listen, we just got here, man. There’s plenty more.” (via Rolling Stone) pic.twitter.com/5zGLsAf1gE — Kurrco (@Kurrco) November 21, 2025 Reclaiming Identity and Creative Direction Speaking with The Hollywood Reporter, Malice reflected on his evolution and his decision years ago to briefly perform as No Malice. “As my beliefs and heart evolved over time, I wanted to demonstrate that there was nothing harmful about me regarding bringing negativity or malice into anything,” he said. But reuniting with Pusha T prompted a return to the name that defined their earliest success. “We owe it to ourselves and our fans to maintain our original branding. Clipse will always be Clipse,” he added. With a tour ahead, the brothers are preparing to bring their latest work to the stage. Three final dates are set for December 2025—two in Virginia Beach and one in Brooklyn—before they head into a busy festival season that includes Coachella and All Points East next year.

Sara Rivers, a former member of Da Band, has reentered public view after filing a far-reaching lawsuit against Sean “Diddy” Combs. Her complaint, submitted in February 2025, accuses Combs of sexual assault, harassment, and misconduct connected to her time on Making The Band 2. Rivers is seeking $60 million in damages, a sum she argues reflects the extent of the alleged harm. Rivers describes a series of disturbing episodes during the show’s taping. In her account, Diddy “backed her into a corner” and made unwanted physical contact while cast members lived in what she called “inhumane” conditions. She also says Diddy and his companies damaged her career by misusing her creative work. These claims form the core of a narrative she has carried for years but is now fighting to litigate in full. Last August, U.S. District Judge Jed S. Rakoff dismissed most of Rivers’ allegations with prejudice, blocking any future attempt to revive them. Only one allegation remains—the claim brought under New York’s Gender-Motivated Violence Protection Act—and it cannot move forward without approval from a higher court. Rivers has already encountered a major complication: she missed the October 17 deadline to file Form C, the document required to establish the official record for an appeal. That missed deadline has placed her appeal in default under federal rules. Current Legal Context for Diddy Rivers’ case is one piece of a larger legal landscape surrounding Diddy. A judge recently granted him permission to serve a defamation lawsuit against accuser Courtney Burgess through newspaper publication because his incarceration prevents direct service. The matter is separate from Rivers’ claims but adds to the ongoing legal scrutiny focused on Diddy. With most allegations already thrown out and her appeal stalled, Rivers faces an increasingly steep climb to keep her case alive. Unless the appellate court intervenes, her remaining claim may never reach a courtroom. For now, both sides are waiting on the next procedural decision, which will determine whether the lawsuit continues or closes for good.

Cardi B is easing her way back into fitness as she prepares for a massive touring year ahead. The rapper shared a gym clip to her Instagram Story showing her sweating through a stairmaster session, a video she noted was originally recorded on November 13th and posted on November 20th. Still adjusting to life after giving birth, she told fans she’s intentionally starting slow as she rebuilds her strength. “Tour journey with me,” she wrote. “I haven’t started tour rehearsals yet but I’m doing light workouts to not only get my body back in shape but my joints and bones.. I’m 33 honey I’ma ol’ lady.” In the clip, Cardi let everyone know this was her official first day returning to the gym. She knocked out more than 20 minutes on the stairmaster before heading toward the squat machine, explaining that her long-term goal is to eventually handle an hour on the stairs without stopping. With a 2026 arena debut on the horizon, she’s focused on getting her endurance where she wants it to be. This comeback also arrives during a major moment in her personal life. Cardi recently welcomed her fourth child, and her first with NFL star Stefon Diggs, announcing that she gave birth to a baby boy on November 13th. She posted the first look at her newborn on November 19th, a sweet photo that shows her holding her son as he’s wrapped in New England Patriots gear in honor of his father’s team. The post collected more than four million likes as fans celebrated the new addition. On top of motherhood and training, Cardi is gearing up for the Little Miss Drama Tour, which kicks off February 11th in Palm Desert and travels through dozens of cities before closing out April 17th in Atlanta.

Sheff G has begun serving a five-year sentence at Marcy Correctional Facility, drawing attention for alleged mistreatment in the early weeks of his incarceration. Turning to social media, he has publicly shared his concerns and urged followers to advocate on his behalf. He highlights challenges that go beyond the typical pressures of confinement. In a series of Instagram Stories on his verified account, Sheff described the environment as both harsh and unfair. “They are holding me here at Marcy Correctional Facility, moving me out of general population and placing me in the handicap dorm. This violates my rights, and they are threatening me due to my identity as a rapper,” he explained. He also recounted a frightening episode in which he claims he was handcuffed and left outside in freezing conditions for two hours. In response, he implored fans: “I NEED HELP RESPECTFULLY.” Sheff G encouraged his audience to contact Marcy Correctional Facility directly to express concern. He provided a phone number for those willing to reach out. His posts reflect a rare moment of vulnerability from an artist whose music often centers on resilience and toughness. They give followers a glimpse into the human reality behind his persona. Legal Background Sheff G’s current sentence stems from a guilty plea in an attempted murder case earlier this year. He was one of 32 individuals implicated in a sprawling gang-related investigation involving 140 charges. As a result, he received a five-year term that began on October 1. Upon completing his sentence, he will be subject to an additional five years of post-release supervision. Speaking with FOX 5 New York before his sentencing, Sheff acknowledged the challenges ahead: “It’s always gonna be tough. That’s something very hard to prepare for.” He emphasized the importance of resilience and positive support networks. He also expressed hope that his journey could inspire others: “I just want kids and youth to witness my progress along with my label and all my peers; I aim to share my story with the world.”

Megan Thee Stallion’s defamation case against blogger Milagro Gramz drew renewed attention today. The courtroom examined the emotional impact of a deepfake sexual video allegedly linked to Gramz’s social-media posts. The rapper’s attorney argued that the video, along with other content, caused “extreme emotional distress,” forming a central part of the lawsuit Megan filed last year. Court records introduced during the hearing revealed that Sonstar Peterson, father of Tory Lanez, reportedly transferred $3,000 to Gramz between October 2020 and March 2022. Gramz admitted receiving the funds but maintained they were intended for personal reasons. These included her children’s birthdays and promotional activities—not as payment for defamation. Testimony from Megan’s former manager, Travis Farris, provided further context for the case. He described how the rapper sought therapy after being shown the compromised video. He explained, “The incident prompted her to work through trauma in a clinical setting.” His statements underscored the significant emotional toll Megan experienced following the circulation of the material. Testimony Highlights Alleged Defamation and Harm The trial continues to unfold in a Miami federal courtroom. Both sides are presenting evidence and testimony regarding the alleged defamation and financial transactions. Attorneys for Megan are emphasizing the seriousness of the emotional harm caused by Gramz’s actions. Meanwhile, the defense maintains that any payments were unrelated to the lawsuit’s claims. As the proceedings progress, today’s testimony added crucial details to the case. It highlighted the interplay between social media activity and the personal consequences Megan alleges she endured.

Doja Cat opened her Ma Vie world tour in Auckland on November 18. She stepped into a global rollout already charged with anticipation. The pop star’s launch was met with excitement from her fans online. This was punctuated by her all-caps rallying cry on X: “AUCKLAND LETS GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOIII.” However, once the lights came up, a wave of criticism began circulating from concertgoers. They felt the show didn’t meet the energy they expected. Many of the early complaints focused on the visual direction of the tour. One user wrote, “Okay no shade, the VIE tour just gives Scarlet with different outfits,” echoing a sentiment that the aesthetic didn’t feel new. Others questioned whether the production had enough support behind it. One fan posted, “i usually be on doja side when she clock kittens but…girl js say ur label ain’t give u budget and keep it pushing [loudly crying emoji].” The commentary quickly spread, setting the tone for a tense exchange. Doja Cat responded head-on, refusing to soften her pushback. In one striking message, she wrote, “And I’m not your fcking costume monkey; I move at my own pace and break my fcking back out there every night. So you can keep your bullsh*t opinion to yourself. You are not the artist; you are the watcher.” Her comments prompted a fresh round of debate. This focused on how artists navigate public scrutiny in real time. You can’t do what I do and the more I do it the more it will bend you out of shape enough to go on the internet and write a think piece. You disappoint me. — DOJA CAT (@DojaCat) November 20, 2025 An exchange reflecting the complexities of online interactions The back-and-forth intensified as users claimed she was dismissing her audience. One person argued, “the fact doja only sees her fans as ‘watchers’ pmo so bad… she really hates us down.” Doja fired back with, “Oh fck you cnt you’re no better than a tmz reporter. You fcking low life btch,” a reply that further fueled conversation. This was about the increasingly fraught boundaries between performers and their online communities. As the Ma Vie Tour moves through Australia and New Zealand over the next week and a half, the spotlight on Doja Cat’s relationship with her fan base is unlikely to fade. Her next show is set for Saturday, November 22, in Perth. Both the performance and the reaction around it will continue to shape the narrative of this early tour stretch.

Summer Walker became the center of an unexpected online feud after Celina Powell repeatedly mentioned her while throwing shade at Lil Meech. Over the past month, Celina has inserted Summer’s name into conversations about Meech at least twice, but this latest round finally prompted Summer to respond. When Summer pointed out that Celina is a “fan,” Powell did not dispute it. Instead, she boasted about allegedly being involved with several of Summer’s former partners, from Lil Meech to Rico Recklezz. Summer answered by posting screenshots of messages Celina had previously sent her along with a fiery note about men who settle for “loser” women. Celina Powell claimed that she’s been with all three of Summer Walker’s exes in her latest story posts. (:@gettyimages):#TSRStaffJR pic.twitter.com/dRUH8DA1O2 — TheShadeRoom (@TheShadeRoom) November 18, 2025 The tension traces back to Summer’s interview with Speedy, where she revisited the viral moment from 2023 involving Meech entering a woman’s apartment and calling them “cousins and groceries.” Summer told Speedy that Meech’s life is “terrible now.” Celina chimed in afterward on Instagram, calling Meech a “weirdo.” At that time, Summer stayed silent. The situation resurfaced when Celina posted a video of herself singing one of Summer’s new tracks and tagging her with the caption, “When y’all crying over the same man but she can actually sing.” Summer reposted the clip and added, “Lmao tried to tell y’all these b*tches really fans of me.” Celina followed up with a lengthy message naming men they allegedly shared and wrote, “I use to smash Meech to ur songs playing in hte background…I never gave af. I like yo music girly pop @summerwalker. Oh and I had [London On Da Track] before u and [Rico Recklezz] and Meech ALLL BEFORE U so please stfu and just sing.” Celina continued with more posts, including one where she said, “Sure am, now get back to the studio and make some more music about the man I took from ya.” Summer did not go back and forth. Instead, she promoted her album and shared a screenshot of Celina apologizing privately on November 10, saying, “Congrats on ur album and I apologize fr if I ever caused any drama.” Rico Recklezz later responded to Celina’s claims, admitting to oral sex once but saying it “don’t count.” Celina insisted he still belongs to her “collection.” Amid all of the online back and forth, Summer posted a final message about women who accept men with no standards, writing, “I truly understand.”