Hip-hop producer Swizz Beatz and several music publishers have sued a North Carolina entertainment venue in federal court, alleging it publicly performed copyrighted songs, including the late DMX’s hit “Party Up (Up in Here),” without obtaining the licenses required under federal copyright law. The complaint, filed Tuesday in the U.S. District Court for the Western District of North Carolina, accuses BoatYard Lake Norman and its owner, Chris Boukedes, of repeatedly playing protected musical works despite years of outreach and licensing offers from the American Society of Composers, Authors and Publishers, known as ASCAP. At the center of the dispute is “Party Up (Up in Here),” the chart-topping DMX single co-written by Swizz Beatz. The lawsuit alleges the venue publicly performed the song and other copyrighted works without authorization, depriving songwriters, composers and music publishers of performance royalties. According to the complaint, ASCAP representatives attempted to secure compliance through telephone calls, emails and mailed correspondence. The organization contends those efforts were unsuccessful. Swizz Beatz Goes After North Carolina Nightclub For The Illegal Use Of DMX’s Hit “Party Up” In Federal Court “ASCAP has contacted Defendants by telephone, by mail, and by e-mail,” the complaint states. Despite those communications, the defendants allegedly “refused all of ASCAP’s license offers for Boatyard” while continuing to publicly perform copyrighted compositions within ASCAP’s repertory. The action also includes claims involving “Jump Around,” “Party All the Time” and “Shut Up and Dance,” with several publishing companies joining as plaintiffs. Universal Music Corp. is among the entities asserting rights connected to “Party Up (Up in Here).” The plaintiffs seek up to $30,000 in statutory damages. Along with injunctive relief and other remedies available under the Copyright Act. The lawsuit is one of several copyright enforcement actions filed nationwide this week by ASCAP-affiliated songwriters and publishers. In a statement, ASCAP Executive Vice President of Licensing Stephanie Ruyle said the venues chose not to pay. “Each of the establishments sued today has chosen to infringe upon the hard work of songwriters instead of licensing the music they play, despite repeated notifications and opportunities to do so.”

Baton Rouge rapper NBA Ben10 appreciates his fans as he looks ahead after a year marked by violence, recovery, and uncertainty. Real name Ben Anthony Fields, he shared an encouraging update this week, telling fans he hopes to walk again by Christmas after suffering life-altering injuries in a Houston shooting earlier this year. In a video posted to social media on June 17, the NBA Youngboy affiliate addressed supporters who have followed his recovery journey over the past several months. “To all the ones who prayed for me, thank you for the good prayers. I’m still in this joint,” Ben10 said from what appeared to be a rehabilitation facility. “We are shooting for Christmas for me to be up whipping your a*s again. Gang.” NBA Ben10 thanks supporters for praying for him through his recovery & says he aims to be on his feet by Christmas pic.twitter.com/WKRBF8rjLe — AkzWhoMatter (@akzwhomatter) June 18, 2026 The message offered a rare glimpse into the rapper’s mindset following two separate shootings in less than six weeks. The first incident occurred on April 8 at Confessions Restaurant and Lounge in Houston, Texas. Authorities said the shooting stemmed from an attempted robbery involving Detroit rapper Allstar JR, who was also at the venue. Rapper NBA Ben10 Sends “Thank You” To His Supportive Fans After Being Shot In Houston & Baton Rouge Investigators allege that JR obtained a firearm during the confrontation and fired multiple shots. At least two people were struck by gunfire, including Ben10. The full extent of his injuries became public through court filings in Harris County. Prosecutors alleged that the Baton Rouge artist suffered a spinal injury that resulted in “irreversible paralysis of the lower extremities.” News of the shooting quickly spread throughout hip-hop circles, prompting an outpouring of support from fans and artists connected to the Never Broke Again camp. Just weeks later, Ben10 was reportedly wounded again during an altercation in Baton Rouge. Local outlet WBRZ reported that three people suffered injuries in the incident. Authorities have released few details about the case. Despite the setbacks, NBA Ben10’s latest update reflects determination rather than defeat. For now, his focus remains on rehabilitation, recovery, and reaching a goal that once seemed distant: taking his first steps again by Christmas.

Brooklyn drill rapper Sleepy Hallow, whose real name is Tegan Chambers, has been released from prison after serving approximately eight months of a one-year sentence imposed in connection with a sprawling New York gang conspiracy case. The rapper announced his release Thursday in an Instagram post featuring photographs of himself posing alongside luxury vehicles and music plaques. “I’m back, now go pick a side n’ stay there,” Chambers wrote. View this post on Instagram Chambers was among 32 defendants named in a 140-count indictment unsealed by New York prosecutors in May 2023. Authorities alleged that members and associates of a Brooklyn street gang participated in a range of criminal activities, leading to charges that included conspiracy and violent offenses against multiple defendants. In October 2025, Chambers pleaded guilty to fourth-degree conspiracy and was sentenced to one year in prison. Court records show the plea resolved his role in the prosecution’s broader gang conspiracy case. Brooklyn Rap Star Sleepy Hallow Released After 8 Months, Prepares “First Day Out” Track The case also ensnared fellow Brooklyn drill artist Michael Williams, known as Sheff G. Williams pleaded guilty to second-degree attempted murder and second- and fourth-degree conspiracy charges. He received a five-year prison sentence in October 2025. Chambers’ release marks the latest development in a prosecution that drew significant attention because of the involvement of prominent figures in New York’s drill music scene. The rapper indicated he intends to quickly return to his music career. In addition to announcing his release, Sleepy Hallow said he’s filming the “First Day Out” music video. He invited fans to the video shoot in New York City. “First Day Out” tracks are commonly associated with songs released by artists following incarceration. The planned release suggests Sleepy Hallow is seeking to capitalize on renewed public attention following his prison term. Sleep Hallow is set to perform at Hot 97’s Summer Jam on July 24.

News of hip hop superproducer Tay Keith’s passing on Thursday, June 18, rocked the culture to its core. He was 29. On Friday, his estate released an official statement on his behalf while he is mourned by fans and collaborators across the world. While it was reported as “no foul play” by Metro Nashville PD, Tay Keith, real name BryTavious Chambers, was found in his apartment during a wellness check on Thursday afternoon. The family’s official statement announced his death, remembering the Grammy-nominated hitmaker as a transformative force in music whose influence extended far beyond the recording studio. “It is with profound sadness that we confirm the passing of BryTavious ‘Tay Keith’ Chambers,” the family said. Tay Keith’s estate issued a statement following his passing yesterday. “We respectfully ask for privacy and continued prayers for his family and loved ones during this difficult time.” Rest in peace Tay Keith pic.twitter.com/sBPcmobpwB — RapTV (@Rap) June 19, 2026 Tay Keith rose from Memphis to become one of the most recognizable producers in modern hip-hop. He crafted chart-topping records and helped shape the sound of a generation. Over the course of his career, he worked with some of the industry’s biggest artists. He became known for hard-hitting production that helped define contemporary rap music. The estate described him as “a visionary producer, songwriter, entrepreneur, philanthropist, and cultural force. His work helped define the sound of a generation.” Tay Keith’s Family Releases Official Statement On Hip-Hop Producer’s Passing The family noted that his impact extended beyond music. His company, Drumatized, was dedicated to creating opportunities for emerging songwriters, producers, and artists. Tay Keith also remained closely connected to his alma mater, Middle Tennessee State University. He received recognition as an honorary professor after graduation. According to the statement, Tay Keith was a mentor and advocate for young creatives. He supported mental health awareness and cancer-related causes in honor of his late mother. While fans around the world knew him as Tay Keith, the family emphasized the personal side of the producer’s legacy. “Above all, BryTavious was a beloved son, brother, uncle, family member, and friend,” the statement said. “While the world knew him as Tay Keith, his family knew him as BryTavious — a source of love, strength, laughter, and guidance.” The family said it takes comfort in knowing that “his legacy will live on through the music he created. Along with the opportunities he provided, and the lives he touched.” Memorial arrangements have not yet been announced. The family requested privacy and continued prayers as loved ones mourn his loss.

Interest around Jay-Z has taken on a steady, almost layered momentum this year. This energy is driven by a mix of live performance moments and the quiet weight of anniversary dates. For example, a freestyle at the Roots Picnic helped reignite conversation around his stage presence. Meanwhile, the 30th anniversary of Reasonable Doubt and the 25th anniversary of The Blueprint brought renewed attention to two records that still sit at the center of his catalog. Taken together, those milestones have created a backdrop. It feels less like nostalgia and more like ongoing cultural relevance. In fact, it’s clear that Jay-Z continues to make an impact today. Roc Nation is now channeling that attention into a public-facing series of events across New York City. Starting June 25, the company will roll out a two-day pop-up experience spread between DUMBO and downtown Manhattan. This is according to Complex. The installations are designed as walk-through environments. They blend archival elements with newer visual design, rather than a traditional museum format. Additionally, with free admission, the events open the anniversary directly to the public. This ties the programming back to the June 25, 1996, debut release that introduced Jay-Z to the world. That New York activation leads into a more expansive performance schedule in July at Yankee Stadium. The three-night run has drawn significant anticipation. This is not only because of the venue, but also because of how each night is being framed. The first is expected to revisit Reasonable Doubt. Next, the second night is centered on The Blueprint. Each is structured around the tone and identity of those eras, directly underscoring Jay-Z’s discography in each performance. From “Extra Innings” to a Global, Living Archive The final performance, titled “Extra Innings,” is being described as a broader reflection on his career. It offers room for reinterpretation and potential surprise guests. At the same time, speculation about new music continues to circulate. However, nothing has been formally confirmed. Beyond New York, additional shows are planned for Paris in September and Los Angeles in October. This extends the rollout internationally and highlights how Jay-Z’s influence has become global. For longtime observers of Roc Nation’s cultural projects, the pop-ups may echo the 2023 “Book of Hov” exhibition at the Brooklyn Public Library. That show traced his career through artifacts, awards, and personal memorabilia. This new series feels less like a retrospective and more like a moving extension of that archive. It leads directly into the Yankee Stadium dates scheduled for July 10, 11, and 12. Then, Paris follows on September 10 and Los Angeles on October 23. In summary, Jay-Z’s legacy continues to expand with each event.

Tributes for Tay Keith continued to circulate across the hip-hop community after news of his death. Sexyy Red was among those sharing public messages of remembrance. What began as a wave of condolences quickly widened online. Unverified claims about past financial arrangements between the two began appearing in comment threads and fan discussions. One circulating post, attributed to The Jasmine Brand on Instagram, showed Sexyy Red sharing a video clip featuring Keith. This post was accompanied by prayer hands and cat hand emojis. In another message, she wrote, “BLOOD IN BLOOD OUT WE BROTHERS BUT NOT RELATED,” followed by, “I LOVE YOU BRUDDAAA @taykeith STILL DA BEST DUO US 5LIFE.” As the posts spread, the conversation around them shifted away from tribute and toward speculation. Some commenters alleged there were unpaid royalties connected to past collaborations. Others pushed back, pointing to how often financial disputes in music can be shaped by label structures and contracts that are not publicly visible. No documentation or official reporting has surfaced to support the claims. Additionally, neither Sexyy Red nor Tay Keith had previously acknowledged any such dispute. She has not addressed the recent wave of criticism. The uncertainty has largely played out in the absence of clear information. It has been amplified by the timing of Keith’s death. The allegations center on supposed disagreements over royalties from joint work. However, no court filings, statements, or verified accounts have been made public to substantiate them. In earlier interviews, Keith had spoken about Sexyy Red in largely supportive terms. He described their collaboration as creatively intuitive even in the face of outside skepticism. Tay Keith says he was mocked for backing Sexyy Red early “People were trolling the s**t out of me,” the late producer told Billboard. “They were real-deal trolling me. It wasn’t much good feedback. It was coming from even people around me, ‘What you doing?’ I saw the potential. That’s as simple as it was, me believing in her. I think people doubted me working with her. Because they didn’t see the reason to do it. I definitely seen the potential. I tell people all the time how long I was watching Sexyy Red’s music before she blew up.” Tay Keith died on June 18 in Nashville, where authorities responded to a welfare check, according to local reports. Officials have not released additional details about the circumstances surrounding his death, which remains under review. He was 30 years old.

The questions surrounding Drakeo The Ruler’s death have never fully disappeared. Nearly four years after the Los Angeles rapper was killed backstage at the Once Upon A Time In LA festival, debate around the case continues to surface. It appears across social media, podcasts, and rap circles. Among those who have remained the subject of speculation is YG, who has repeatedly denied any involvement in the fatal attack. The two artists had exchanged public shots before the festival. This added another layer of scrutiny after the tragedy unfolded. That history resurfaces on THE GENTLEMEN’S CLUB, YG’s latest album. On “WE KNOW THE TRUTH,” the Compton rapper appears to confront accusations that have followed him since 2021. He delivers some of the project’s most direct lyrics. “They say I murdered this, they say I murdered that / Well, if that was true, you’d be a f***ing rat / And I’d be in the cell sleeping on a rack / But too bad that ain’t a f***ing fact,” he raps. Later in the song, he adds, “I came to get the dough, was finna hit the stage / Then I heard how y’all heard, somebody got hit with a blade / I heard n***as saying, ‘YG paid’ / Stop lying, n***a, come run YG fade.” The record moves between personal reflection, industry tensions, and YG’s response to public narratives surrounding his name. For some listeners, the song serves as another forceful rejection of allegations they never believed in the first place. Others have argued that revisiting the subject through music feels insufficient given the gravity of Drakeo’s death. Snoop Dogg’s company seeks dismissal as YG’s lyrics reopen questions The album has nevertheless reignited conversation around a case that remains emotionally charged for many fans. YG continues to maintain that no legal findings have connected him to the stabbing, a point echoed throughout the song. Meanwhile, litigation tied to the festival remains active. Snoop Dogg’s entertainment company has recently sought removal from a wrongful death lawsuit connected to the event. The company cites its role as one of the festival’s promoters. As those proceedings continue, YG’s latest lyrics have reopened a conversation that hip-hop has never entirely left behind.

As T.I. moves closer to the release of Kill The King, another matter remains unresolved: a legal dispute that has followed him through several years of court proceedings. Reports indicate that the Atlanta rapper is asking a federal judge in Los Angeles to dismiss the final remaining claim in a lawsuit filed by Sabrina Peterson. While much of the case has already been pared down, one allegation continues to move through the system. That claim centers on a July 2025 Instagram video promoting a comedy show in Washington, D.C. Peterson alleges the post caused emotional distress, arguing that comments made in the video were directed toward her. In the clip, T.I. says: “It’s a beautiful day to not spread lies and to not be negative. It’s a beautiful day, man, to mind your business.” Peterson viewed the remarks as threatening, while T.I. has consistently disputed that interpretation. Court filings submitted on June 15 ask U.S. District Judge Fernando M. Olguin to remove the claim from the case. T.I.’s attorney, J. Cameron-Banks, argues that Peterson’s updated responses introduce no significant new evidence and instead revisit allegations connected to events she has previously referenced from 2007 and 2014. The defense maintains that the emotional distress allegation is not supported by the record currently before the court. T.I. Moves to Dismiss Final Claim Attorneys for the rapper also argue that Peterson was never identified in the Instagram video. Their filing notes that only three of roughly 45,000 comments, likes, and interactions referenced Peterson by name. On that basis, they contend the post does not meet the legal standard necessary to support an emotional distress claim. The dispute first entered public view in 2021 after Peterson accused T.I. of pointing a firearm at her during an altercation involving his assistant. T.I. and his wife, Tiny, denied the allegation. Since then, multiple claims have been dismissed, leaving the emotional distress allegation as the lone remaining issue. A hearing on the dismissal request is scheduled for July 30 at Los Angeles’ First Street Courthouse.

A California judge has postponed a key evidentiary hearing in the criminal case against recording artist D4vd, granting a defense request for additional time as prosecutors pursue charges that include capital murder, continuous sexual abuse of a child under 14 and mutilation of human remains. Judge Charlaine Olmedo approved the defense motion to continue a multi-day hearing that had been scheduled to begin June 29. The proceeding will now start July 21. A key hearing for singer and TikTok star D4vd is moved to July. https://t.co/SZcA6kFfrV — NBC Los Angeles (@NBCLA) June 17, 2026 The hearing is expected to address whether prosecutors have presented sufficient evidence for the case to proceed toward trial. The ruling provides both parties additional time to review discovery materials, prepare legal arguments and address evidentiary issues before the court. D4vd, who has been indicted in connection with the death of 14-year-old Celeste Rivas, has denied wrongdoing and remains presumed innocent. Prosecutors allege the charges stem from the teenager’s death and subsequent efforts to conceal evidence. D4vd’s Key Hearing Rescheduled To July 21 The case has attracted significant public attention since investigators reportedly discovered human remains inside a vehicle linked to the musician. Law enforcement officials later arrested and charged him following a lengthy investigation. Court filings indicate that the parties continue to dispute several factual and legal issues central to the prosecution’s case. Among the allegations, prosecutors contend investigators recovered evidence related to child sexual abuse material and claim D4vd maintained contact with the alleged victim before her death. Defense attorneys are expected to challenge the admissibility and sufficiency of that evidence during future proceedings. The July hearing could prove pivotal. Prosecutors will seek to establish that the evidence supports moving the matter forward, while defense counsel will likely argue that the state’s case contains deficiencies warranting dismissal or further review. If Judge Olmedo determines the prosecution has met its burden at this stage, the case will advance toward trial. Scheduling matters, discovery disputes and evidentiary motions would then be addressed in subsequent hearings. No findings regarding guilt or innocence have been made. The allegations against D4vd remain unproven. Any determination of criminal liability will depend on evidence presented during future court proceedings.

The New York Liberty’s Juneteenth Unity Night fuses world-class women’s basketball and a celebration of Black culture. The Liberty will be facing the Washington Mystics. ​Juneteenth Unity Night (June 19) stands as a powerful testament to Liberty’s enduring commitment to social justice and cultural unity, ​Ahead of the game, the Liberty hosted the Unity, Justice & Advocacy panel on June 18 to discuss social justice efforts. ​For a special pregame performance, Urban Word NYC will give a spoken word performance. Plan on pulling up to our Juneteenth Unity Night tomorrow? Swipe for everything you need to know! pic.twitter.com/b8fX0jxtRd — New York Liberty (@nyliberty) June 18, 2026 Also, the Liberty partnered with NYC-based artist and graphic designer Olivia Ellis. She has designed a special merchandise collaboration for the event. During halftime, the Alvin Ailey dancers, Timeless Torches, and live drummers will all be performing. ​Shana Stephenson, Chief Brand Officer, shared the vision behind the night. “Our theme nights are an opportunity to celebrate the people, cultures, and communities that make New York one of the most vibrant cities in the world. Juneteenth Unity Night is especially meaningful because it honors a legacy of resilience, achievement, and progress. While creating space for reflection, education, and celebration,” Stephenson said “Black voices are an essential part of who we are – represented on our team, in our front office, and across the passionate fanbase that powers our organization. We are intentional about using our platform to uplift those voices through partnerships with local artists, community organizations, and cultural leaders. creating experiences that reflect the diversity, creativity, and spirit of New York while ensuring every member of our community feels seen, valued, and celebrated.” Currently, the Liberty are on an eight-game winning streak, posting an 11–4 record. After shaking off a brief mid-May slump, the Liberty have recaptured their championship-caliber form. Led by Jonquel Jones, Breanna Stewart, and Sabrina Ionescu, the Liberty are undefeated 6–0 mark in Commissioner’s Cup play. With their ticket officially punched for the Commissioner’s Cup Championship game on June 30, the Liberty are looking to be title contenders once again. The Liberty will be facing the Washington Mystics