50 Cent has spent years using social media to provoke, comment, and stay visible. What once looked like impulsive online behavior has increasingly taken on a more deliberate shape. His latest move places that persona squarely inside a commercial campaign. The result is a familiar voice repurposed for advertising. 50 Cent’s history of public disputes with figures such as Ja Rule, Floyd Mayweather, and Jay-Z has long been part of his appeal. That same instinct surfaced in his recent docuseries, Sean Combs: The Reckoning, which blended criticism with entertainment. The project reinforced how closely his public commentary now overlaps with business ventures. It also showed how little distance remains between content and promotion. That approach continues in a DoorDash campaign released ahead of Super Bowl weekend on February 8. In the ad, 50 Cent introduces a series of mock products built around visual jokes and wordplay tied to Sean “Diddy” Combs. One moment centers on a bag of cheese puffs that gestures toward a familiar nickname. “Don’t want to be too obvious,” he says, letting the reference land without explanation. Another beat follows with a set of combs, a nod to Diddy’s given name. “They sell combs, what a coincidence,” Jackson remarks, tossing them aside as the scene moves on. The commercial will not air during the Super Bowl broadcast. DoorDash has said additional content will roll out around the game, largely through digital platforms. When Brand Voice Becomes the Product 50 Cent said the partnership fit naturally with how he already communicates online. “I’ve always been about keeping it real; so when DoorDash approached me for a social campaign revolving around beef, it felt authentic from the beginning. They provide everything you could need, and just like with beef, the receipts don’t lie.” His comments reflect how personal voice has become a central selling point in advertising. Brands are increasingly built around tone as much as product. DoorDash described the campaign as an extension of how audiences now engage with major events. Gina Igwe, the company’s vice president and head of consumer marketing, said, “The Big Game has transformed into an interactive experience where genuine discussions take place in comment sections fueled by passion and rivalry. With a cultural icon like 50 Cent leading the charge, DoorDash is prepared to offer everything fans require for an unforgettable occasion.” Her remarks point to how marketing now lives alongside online conversation. The campaign arrives as Jackson continues to draw attention through social media. In recent weeks, he revisited a legal dispute involving Floyd Mayweather and Showtime, writing, “Oh no don’t cry now champ they beat you out of $320 million, you dumb a*s. I told you let me read the contracts now lace up.” Even within the DoorDash ad, he slips in a brief joke involving a children’s ABC book. The approach remains consistent: familiar conflict, reshaped for a new setting.

Lil Jon is finally speaking out since the news broke that his 28-year-old son, DJ Young Slade, had gone missing. “The family is asking for privacy at this time,” a representative of Lil Jon’s told TMZ. “We are also asking for continued prayers for Nathan to come home safe. Thank you. ” The up-and-coming artist was last seen in Milton, Georgia, on Tuesday (Feb.3). TMZ reports that Young Slade—real name Nathan Murray Smith—was allegedly last seen fleeing his home on foot around 6 a.m. It was also reported that Smith left with no belongings. Questions have arisen about Smith’s state of mind. According to police reports, Smith was reportedly disoriented and allegedly naked at the time he left. The official missing person alert was made later that day, around 4 p.m. Authorities have stated that Smith poses no threat to the community. They’ve also urged the public to contact the police and confirm his whereabouts if they spot him. Anyone with information is asked to contact the Milton Police Department at 678-297-6300. This is a developing story. View this post on Instagram

The 27th Super Bowl Soulful Celebration will air on BET. Cam Newton is slated to host the special, whose theme this year is “Go Higher.” ​Pastor Mike Jr., Lalah Hathaway, LaRussell, and Miles Minnick are all slated to perform. Other performers include American Idol winner Jamal Roberts, the NFL Players Choir, and award-winning HBCU band the South Carolina State University Marching 101. ​According to Billboard,  the celebration will include segments filmed during Super Bowl week festivities in Los Angeles and San Francisco. ​Melanie Few, founder of the annual event and its executive producer, expressed her gratitude in a statement. ​“This year’s refreshed format allows us to slow down and be more intentional,” Few said. “By creating space for deeper storytelling, intimate performances, and meaningful moments of reflection, we’re able to honor powerful voices. And impactful leaders on and off the field, and the spirit of community that has defined the Super Bowl Soulful Celebration for more than 25 years.” ​Along with Few, Grammy winner Adam Blackstone will serve as music director and producer of the show. ​“The new format gives us room to be more expressive and cinematic,” Blackstone added. “It allows the music, the stories, and the emotion to breathe, creating a powerful experience that celebrates community, purpose, and excellence in a way that feels both intimate and expansive.” CURRENT AND FORMER NFL PLAYERS TO BE HONORED The event will honor those who bridge “faith, football, and culture through music, testimony, and tribute.” ​Pro Football Hall of Famer Randy Moss will receive the Lifetime of Inspiration Award. The New York Giants’ Jameis Winston will be honored with the Faith in Action Award. Javon Hargrave of the Minnesota Vikings will receive the HBCU Player Spotlight. ​After Sunday’s premiere of the show, a replay of BET’s Super Bowl Soulful Celebration will air on Monday at 10 p.m. ET.

GloRilla seemingly clapped back at rumors that she’s not been financially supporting her family in a recent social media post. A few days back, GloRilla’s sister Victoria—who goes by Scar Face Woods—hopped on Facebook, making startling allegations against the rapper. According to her, despite the rapper constantly speaking about her family’s financial struggles, she’s yet to reach back out and help them. Scar Face followed up on her post with a video, where she shared similar sentiments. Not long after, Glo seemingly caught wind of her comments. The rapper then posted a screenshot of a message from what appears to be her mother thanking her for financial assistance. “Thank you so very very much!!!” the message reads. “Really didn’t want to ask because you already do so much for us. I thank you so very much for all that you do. I don’t take it for granted at all!” View this post on Instagram GloRilla Claps Back At Haters For Plastic Surgery Allegations: ‘Y’all Mad?’ In other news, last month, GloRilla had a few choice words for people who commented on her appearance. The rapper had recently shared a video on her Instagram, which some say was heavily edited and was accused of going back under the knife. On Thursday (Jan.22), the Memphis native took to X to share her frustrations. “So did any of you hoes get a raise for tryna figure out why a b*tch look so beautiful yesterday???? Rent paid? Anything???” she wrote. “Or y’all really just #THAT mad dat a b*tch gorgeous for free? Lemme kno ina comments. That said, the comment section seemed split. While some agreed with the rapper’s right to defend herself, others felt her comments were unnecessary because there was a visible difference between how Glo looked when she rose to fame and now. “Nobody mad we just remember how u looked..” someone commented under Glo’s post. Glo quickly fired back with, “Are you getting paid for remembering that? Why does it matter so much to you?”

Rapper BIA immediately sets the record straight about her connection with superstar J. Cole. The Massachusetts rapper addressed a viral rumor involving J. Cole, who is married, with blunt honesty, cutting through speculation that followed their 2022 collaboration. After a social media user asked if she had slept with the Dreamville leader, BIA shut it down immediately. “No & I have never slept with a married man ever. Fake tea,” she wrote. No . & I have never slept w a married man ever. Fake tea — BIA (@BIABIA) February 1, 2026 The response spread quickly, ending the chatter with clarity and conviction. BIA is currently in a public relationship with NBA star Cam Whitmore. The rumor traced back to “LONDON,” the fan-favorite record that paired BIA with J. Cole at a pivotal moment in her rise. While the collaboration elevated her profile, it also sparked unfounded gossip that she says never matched reality. BIA recently explained how the record came together, emphasizing professionalism from start to finish. She said J. Cole initially brought her into the studio for a different song. She recorded a verse, met him, and prepared to leave. BIA Clears Up J. Cole Rumors Before heading out, she asked if she could play him something else. That song was “LONDON.” According to BIA, J. Cole listened and reacted immediately. “I love this song,” she recalled him saying. “This is my favorite song.” A week later, she followed up by sending him the track. “Just sending this if you need something to listen to,” she told him. J. Cole replied with interest, asking if he could “take a stab” at it. BIA said the answer was easy. “Take a stab? You can have it,” she said, describing a smooth exchange built on mutual respect. The feature came together naturally, without pressure or expectation. At the time, J. Cole was in a prolific feature run, appearing on tracks like Benny the Butcher’s “Johnny P’s Caddy” and YG’s “Scared Money.” His presence on “LONDON” reflected momentum, not favoritism. By addressing the rumor head-on, BIA reframed the conversation. She addresses integrity and the reality that many women artists face. The collaboration stands as music first, always. J. Cole is set to release his presumed final album, The Fall Off, on Friday (Feb. 6).

Boxing superstar Deontay Wilder walked out of a live talkSPORT studio appearance on Tuesday (Feb. 4) after a heated exchange with presenter Simon Jordan shifted attention back to his rivalry with Tyson Fury. Wilder appeared alongside Derek Chisora to promote their April 4 heavyweight bout at London’s O2 Arena. The segment was intended to preview the upcoming fight. It unraveled when Jordan referenced Wilder’s three-fight series with Fury. “I don’t want to talk about him,” Wilder said. “We’re here about Derek Chisora. We’re not going to talk about him. Understand that.” Jordan continued pressing the issue, prompting a sharp response from Wilder. “Because I know the truth,” Wilder shouted. “I have the facts. Understand that.” The former WBC heavyweight champion then stood up from his seat and stepped toward Jordan. Security personnel intervened before the confrontation escalated further. Chisora remained seated and did not engage during the exchange. “I don’t give a f— about that,” Wilder yelled. “I said we didn’t want to bring him up. It ain’t got s— to do with him.” Wilder exited the studio shortly afterward, ending the interview abruptly and leaving the promotional appearance unfinished. Deontay Wilder Explodes On Reporter Over Tyson Fury Question During the exchange, the Bronze Bomber again accused Fury of cheating, calling him “the biggest cheat in boxing.” He repeated long-standing allegations that Fury tampered with his gloves before their fights. “When the documentary and everything starts to come out, I’m going to show everything,” Wilder said. Jordan cited several explanations Wilder has previously offered for his losses to Fury, including claims of spiked water and favorable referee counts during their first fight in 2018. He also mentioned Wilder’s assertion that his elaborate ring-walk costume affected his performance. Wilder dismissed the costume explanation while maintaining the others. Fury responded to the accusations a day earlier on Instagram. “You don’t hear me crying and moaning about it,” he wrote. “That’s not me.” The April 4 bout will mark the 50th professional fight for both Wilder and Chisora. Wilder has gone 2-4 in his last six fights, including knockout losses to Zhilei Zhang and Joseph Parker. He last fought in June, stopping Tyrrell Anthony Herndon. Chisora enters on a three-fight winning streak and has indicated the bout could be his final appearance.

The Louisiana Supreme Court on Tuesday (Feb. 4) declined to revisit rapper Corey “C-Murder” Miller’s decades-long challenge to his second-degree murder conviction. It was ruled that Miller, 54, has exhausted his available state remedies and failed to meet the standard for further post-conviction review. C-Murder is serving a life sentence without parole for the 2002 fatal shooting of 16-year-old Steven Thomas at a Harvey, Louisiana, nightclub. A jury convicted the hip-hop star in 2009, concluding he fired the fatal shots during a crowded event. C-Murder has consistently maintained his innocence. The court’s latest action follows a long procedural history. Louisiana appellate courts affirmed the former No Limit Soldiers’ conviction in 2011, and the state Supreme Court upheld that decision in 2012. Since then, the rapper has filed multiple applications for post-conviction relief, all of which have been denied. In his most recent filing, Master P’s brother argued that new considerations warranted reopening his case. He pointed to the recantation of testimony by two prosecution witnesses and raised concerns about the handling and interpretation of DNA evidence during the investigation. His attorneys argued these issues undermined the fairness of the trial and justified either a new evidentiary hearing or a retrial. Corey “C-Murder” Miller’s Last Appeal Denied By Louisiana Supreme Court The justices were unpersuaded. In a short order issued Tuesday, all seven members of the Louisiana Supreme Court voted unanimously to reject the application. “Applicant has previously exhausted his right to state collateral review and fails to show that any exception permits his successive filing,” the court wrote. The ruling effectively forecloses further relief in state court. Louisiana law places strict limits on successive post-conviction filings. Louisiana requires defendants to demonstrate narrow statutory exceptions or newly discovered evidence meeting a high legal threshold. Courts have repeatedly held that witness recantations and generalized evidentiary disputes, without independent corroboration, are insufficient. Miller’s case has drawn sustained public attention. Supporters have long argued the conviction relied on unreliable testimony, while prosecutors and courts have maintained the verdict was supported by the trial record. With the Supreme Court’s decision, Miller’s life sentence remains intact. Any future challenge would likely have to proceed in federal court, where habeas standards impose similarly demanding barriers. For now, the state judiciary has signaled that Miller’s post-conviction claims have reached their end.

Tony Yayo is standing ten toes down for 50 Cent and Lloyd Banks, and he made that clear during a recent appearance on the Flagrant Podcast. Sitting across from comedian Andrew Schulz, the G-Unit rapper weighed in on renewed debate sparked by a Fabolous diss record and commentary from the Let’s Rap About It podcast, using the moment to revisit old history and sharper distinctions. Fabolous added a verse that dissed 50 alongside rapper Jim Jones, Dave East, and Maino. The conversation centered on the viral question of who outranks whom between Lloyd Banks and Fabolous. For Yayo, the answer starts with context. He reminded listeners that the Brooklyn rapper many now place above Banks once looked to G-Unit for opportunity. “The guy that they are saying is better than Banks wanted to sign to our label,” Yayo said. He added that visibility mattered early on. “50 took him overseas.” That history, Yayo argued, makes recent shots at 50 Cent feel misplaced. “50 does a lot for people,” he said. “But them people always seems to turn on him.” The comment echoed a familiar theme in 50’s career, where alliances often sour once success arrives. Schulz praised Yayo’s consistency, calling out his loyalty. Schulz acknowledged Yayo’s loyalty to 50 Cent as a trait most liked about him. Tony Yayo Defends 50 Cent While Discussing Who’s Better Between Lloyd Banks & Fabolous With Andrew Schulz Yayo agreed, framing his outlook around gratitude. “I live in the moment. I appreciate everything,” he said, recounting nights filled with music, parties, and shared energy. That mindset, he suggested, shaped G-Unit’s run. Yayo also pushed back on how critics assess legacies. “We were the most hated,” he said. He contrasted that with artists who benefit from momentum. “When DJ Khaled is hot, what do muthafuckas do? They hold their hands close to the fire.” From there, Yayo shifted to craftsmanship. He acknowledged Fabolous’ talent but questioned the comparison. “A lot of Fab’s biggest records are with features,” he said. By contrast, he highlighted Banks’ pen. “Banks wrote the hook, he wrote the record.” He pointed to Banks’ mixtape catalog as proof of street dominance and authorship. Yayo closed without dismissing Fab outright. “I’m not saying he’s not nice,” he said. “But I feel like Banks is better.” For Yayo, the difference lies in writing, contribution, and who truly carried the weight.

Mayor Zohran Mamdani said this week that New Yorkers will soon be able to access the cupola atop the David N. Dinkins Manhattan Municipal Building, opening a civic space long closed to the public. The announcement was made in a video posted on X, where the mayor described the structure as “one of the most magnificent government buildings in the world.” Named for the city’s first Black mayor, the building occupies a central place in Manhattan’s civic landscape. City officials framed the plan as an effort to broaden public access to municipal landmarks. Speaking from the rooftop, Mamdani pointed to the visibility offered by the site. “From the heights of this iconic building, you can witness the entire city—from MetLife Stadium to Bushwick,” he said. He characterized the move as a matter of public inclusion, adding, “This building belongs to the people of New York City, and for too long, they have been excluded from it. That is about to change.” The comments emphasized the symbolic nature of the opening. Beginning in June, the rooftop will be open to visitors at no cost. City officials said the timing was intentional, aligning the announcement with Black History Month in recognition of Mayor David N. Dinkins, whose name was added to the building in 2015. The access is expected to draw both residents and tourists. Details on daily capacity have not yet been released. A more structured program will follow in June 2026, when the city plans to introduce free guided tours for small groups. Reservations will be available online. The municipal building, among the largest government office complexes in the world, is undergoing a $6 million renovation. The project includes restoring the cupola, adding glass safety barriers, and reworking the rotunda landing to accommodate visitors. It’s your city, from the sidewalk to the skyline. The David Dinkins Municipal Building’s rooftop is open & free to everyone, starting this June. pic.twitter.com/6ZyEMM3Y7f — Mayor Zohran Kwame Mamdani (@NYCMayor) February 2, 2026 Officials and Residents Applaud Move to Expand Public Access “As we honor Mayor Dinkins’ legacy, we aim to make this unparalleled view accessible to all New Yorkers,” Mamdani said in a statement published on NYC.gov. City officials said the renovations are designed to balance preservation with safety and accessibility. The work is expected to be completed before the tour program begins. Several city officials expressed support for the plan. Public Advocate Jumaane D. Williams said the initiative would allow more residents to engage with civic spaces. Comptroller Mark Levine, who has previously advocated for expanded public access to city landmarks, said, “It shouldn’t just be the affluent who get to be inspired by an observation deck. All New Yorkers deserve the chance to gaze upon the city they cherish.” Their comments reflected broader enthusiasm within city government. Reaction online was largely favorable, with users highlighting the symbolic value of opening the space. One post referenced the “Arthur’s clenched fist” meme, suggesting that “Mayors across the nation are feeling the pressure to elevate their game thanks to Mamdani.” Another user focused on the project’s emphasis on inclusion and civic access. “What’s remarkable is that this initiative focuses on community, doesn’t compromise human rights, and promotes unity rather than division,” they wrote, asking, “Is it really that simple?”

The investigation into the death of 15-year-old Celeste Rivas advanced this week as Neo Langston appeared before a Los Angeles County grand jury. Langston, a known associate of the musician D4vd, testified after briefly being taken into custody for failing to appear as a witness. His appearance marked a procedural step in a case that has remained active for months. Officials declined to comment on the substance of his testimony. Langston, 23, arrived at the courthouse on February 4 as part of an inquiry that began late last year. The case stems from the discovery of Rivas’s dismembered remains in September 2025. Authorities located the remains inside a vehicle connected to D4vd in Hollywood. The circumstances surrounding the discovery remain under investigation. According to people familiar with the proceedings, Langston spent roughly 30 to 40 minutes in the grand jury room. He left the courthouse without speaking to reporters. Deputy District Attorney Beth Silverman, who is presenting evidence to the grand jury, also declined to answer questions. Grand jury hearings are conducted in private, and details are rarely disclosed. Langston was arrested on January 22 in Helena, Montana, after a Los Angeles judge issued a bench warrant related to his failure to appear. He was detained at his mother’s residence and later transported to Los Angeles. Records show he was held at the LAPD’s Metropolitan Detention Center, where bail was set at $60,000. He was released after posting bond. High-Profile Case Remains Open as Detectives Continue Interviews Langston, who previously used the online name NeoTheAsian has appeared in photographs with D4vd on social media. Investigators have interviewed multiple witnesses as part of the case. Law enforcement officials say the inquiry remains ongoing. No charges have been filed against Langston. Authorities have identified D4vd, whose legal name is David Anthony Burke, as a suspect. Detectives have also pointed to a second individual believed to have been involved “before, during, and after” the killing. Officials have not disclosed further details. Prosecutors have not indicated when charging decisions may be announced. The case continues to draw public attention as investigators work through the evidence. Officials have emphasized that the process remains active and ongoing. Any future charges will depend on the findings presented to the grand jury.